tag:blogger.com,1999:blog-81682557603947521972024-03-13T15:20:53.035-04:00Johnny OstentatiousJohnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.comBlogger582125tag:blogger.com,1999:blog-8168255760394752197.post-42109086755712354022024-03-10T08:40:00.003-04:002024-03-10T08:40:32.992-04:00King Nyx by Kirsten Bakis<p><span style="font-family: arial;">I put <i>Lives of the Monster Dogs</i> on my B&N wishlist after reading a review of her latest novel, </span><span style="font-family: arial;"><i>King Nyx</i>.</span></p><p><span style="font-family: arial;"><a href="https://www.nytimes.com/2024/02/27/books/review/king-nyx-kirsten-bakis.html" target="_blank">https://www.nytimes.com/2024/02/27/books/review/king-nyx-kirsten-bakis.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-20751557417507568912024-02-21T20:19:00.001-05:002024-02-21T20:19:07.831-05:00THE ANTIQUE HUNTER'S GUIDE TO MURDER by C.L. Miller<p><span style="font-family: arial;"><a href="https://ivereadthis.com/2024/02/20/book-review-the-antique-hunters-guide-to-murder-by-c-l-miller/" target="_blank">https://ivereadthis.com/2024/02/20/book-review-the-antique-hunters-guide-to-murder-by-c-l-miller/</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-53925668978882108442024-02-18T19:37:00.004-05:002024-02-18T19:37:55.141-05:00CLOISTERED: MY YEARS AS A NUN by Catherine Coldstream<p> </p><h2 style="caret-color: rgb(51, 51, 51); color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">★ Cloistered: My Years as a Nun</h2><a class="lightboxFigureWrap" href="https://www.digitalpw.com/digitalpw/20240129/MobilePagedArticle.action?articleId=1950127&app=false#" style="color: #006adb; cursor: pointer; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px; font-weight: bold; text-decoration-line: none; user-select: none;" tabindex="0"><figure class="picture lightboxEnabled" style="cursor: pointer; margin-block: 0px; margin-inline: 0px; margin: 1em auto 2em; max-width: 100%; overflow: auto; position: relative; user-select: none;"></figure></a><span style="background-color: white; caret-color: rgb(51, 51, 51); color: #333333; font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px;"></span><p style="caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Catherine Coldstream.</strong><span class="Apple-converted-space"> </span>St. Martin’s, $30 (352p) ISBN<span class="Apple-converted-space"> </span><a href="http://www.publishersweekly.com/9781250323514" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-250-32351-4</a></p><p style="caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">In this penetrating debut memoir, former nun Coldstream describes her 12 years in an English priory and the circumstances that led to her eventual departure. Raised in an emotionally chilly family, Coldstream became bereft at age 24 when her elderly father died. After involving herself with various religious groups in an effort to aid her "long passage… across [the] unfamiliar landscape" of grief, Coldstream found comfort in silent prayer at northern England’s Akenside Priory. Inspired by the discipline and ritual she encountered there, Coldstream joined the mostly silent nuns’ ranks. As time wore on, however, her "hospital for wounded souls" turned icy and toxic, with infighting, big egos, and power struggles troubling the waters in which Coldstream initially found solace. After her conflicts with her fellow nuns reached a fever pitch over the course of a decade, the author fled the cloister in the middle of the night. In lyrical, evocative prose ("Time passes in the monastery like ghosts that move through walls; it seeps through cell doors and stony archways, through bone and marrow, imprinting patience and endurance at every touch"), Coldstream opens a window into a reclusive culture, resolutely exposing its problems without losing sight of its virtues. The results will fascinate believers and non-believers alike.<span class="Apple-converted-space"> </span><em>Agent: Patrick Walsh, PEW Literary. (Mar.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-65836239830105592592024-02-18T18:38:00.006-05:002024-02-18T18:38:45.174-05:00GOODBYE GLOBALIZATION by Elisabeth Braw<p><span style="font-family: arial;">Saw this in today's <i>New York Times Book Review</i> in the <b>Newly Published</b> section on page four, which isn't online: "A senior fellow at the Atlantic Council interviews policymakers and business leaders to maintain that globalization's decline will dramatically reshape our world."</span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-26532833532809833762024-02-15T07:58:00.003-05:002024-02-15T07:58:30.830-05:00CASCADE FAILURE by L.M. Sagas<span style="font-family: arial;">Not at library (yet), so I put on my B&N wishlist. May not get the novel because it's part of the series, with the second entry dropping later this year.</span><div><span style="font-family: arial;"><br /></span></div><div><h1 class="mdc-typography--headline1 text-title font-playfair-display--semibold" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; caret-color: rgb(23, 18, 25); color: #171219; font-family: "Playfair Display"; font-size: 48px; line-height: 48px; margin: 0px;"><span style="box-sizing: border-box;">Cascade Failure</span></h1><h3 class="mdc-typography--subtitle1 text-info font-source-sans-pro" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; caret-color: rgb(23, 18, 25); color: #171219; font-family: "Source Sans Pro"; font-size: 21px; font-weight: 400; line-height: 29px; margin: 0.8em 0px 0px;">L.M. Sagas. Tor, $17.99 trade paper (416p) ISBN 978-1-250-87125-1</h3><div class="text-body mdc-typography--body1 font-source-serif-pro" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; caret-color: rgb(23, 18, 25); color: #171219; font-family: "Source Serif Pro"; font-size: 19px; line-height: 28px; margin-top: 0.8em;">Sagas debuts with a fun romp through a faraway galaxy where three political powers’ jittery coexistence is threatened when a mysterious disaster strikes a terraformed planet. Trust wields corporate power, Union controls the labor necessary to exploit new worlds, and the paramilitary Guild tries to keep both factions honest. Former Guild ranger Jal Red, suspected of desertion, is lured aboard the old spacer<span class="Apple-converted-space"> </span><em style="box-sizing: border-box;">Ambit</em>, joining three other entertaining misfits: philosophical AI Captain Eoan; Nash, an augmented doctor-engineer who knits; and Saint,<span class="Apple-converted-space"> </span><em style="box-sizing: border-box;">Ambit</em>’s XO and Jal’s grumpy former battle buddy, who has plenty of unresolved issues with Jal. Answering an SOS from a planet stricken by a mysterious weapon, the crew brings aboard Anke, the lone survivor and a whiz-kid programmer who wants to stop what he calls the “Deadworld Code,” a high-tech, planet-destroying weapon developed by forces preferring profit to people. Rapid-fire adventures spiked with army jargon and balanced with touching resolutions of personal conflicts keep the pages turning. Add in a charming found family—and even a space-faring cat—and this spirited space opera is a resounding success.<span class="Apple-converted-space"> </span><em style="box-sizing: border-box;">(Mar.)</em></div></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-50670342320058302822024-01-31T22:45:00.001-05:002024-01-31T22:45:13.752-05:00LOST MAN'S LANE by Scott Carson<p><span style="font-family: arial;">B&N reserve, for now.</span></p><header class="header" style="caret-color: rgb(51, 51, 51); color: #333333; font-family: "Helvetica Neue", Tahoma, "Segoe UI", Calibri, Helvetica, sans-serif; font-size: 18px;"><h1 class="mainTitle" id="h1_mainTitle_1948849" style="box-shadow: none; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 2.25em; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-weight: normal; line-height: 1.2em; margin: 0.5em 0px; outline: currentcolor;" tabindex="-1">★ Lost Man’s Lane<div class="roofHeader screen-reader" style="background-color: #c01c27; border: 0px; bottom: 0px; box-sizing: border-box; clip: rect(0px, 0px, 0px, 0px); color: white; display: inline-block; font-size: 1em; height: 1px; line-height: 1em; margin-block: 0px; margin-inline: 0px; margin: 1.5em 0px auto; opacity: 0; overflow-wrap: break-word; overflow: hidden; padding: 0.5em 1em; position: absolute; text-transform: uppercase; text-wrap: nowrap; width: 1px;"></div></h1></header><div class="articleBody" style="caret-color: rgb(51, 51, 51); color: #333333; font-family: "Helvetica Neue", Tahoma, "Segoe UI", Calibri, Helvetica, sans-serif; font-size: 18px; margin-block: 0px; margin-inline: 0px; overflow-wrap: break-word; padding-top: 10px;"><div class="htmlBody article_div" style="font-family: "Helvetica Neue", Helvetica, Arial, sans-serif; margin-block: 0px; margin-inline: 0px; overflow-wrap: break-word;"><a class="lightboxFigureWrap" href="https://www.digitalpw.com/digitalpw/20240122/MobilePagedArticle.action?articleId=1948849&app=false#" style="color: #006adb; cursor: pointer; font-weight: bold; text-decoration-line: none; user-select: none;" tabindex="0"><figure class="picture lightboxEnabled" style="cursor: pointer; margin-block: 0px; margin-inline: 0px; margin: 1em auto 2em; max-width: 100%; overflow: auto; position: relative; user-select: none;"></figure></a><p style="font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 1em; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Scott Carson.</strong><span class="Apple-converted-space"> </span>Atria/Bestler, $28.99 (448p) ISBN<span class="Apple-converted-space"> </span><a aria-label="978-1-9821-9145-0, opens in a new window" href="http://www.publishersweekly.com/9781982191450" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-9821-9145-0</a></p><p style="font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 1em; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><span class="dropCap" style="color: black; display: inline; float: left; font-family: Georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 4.5em; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 0.8em; margin: 0px 3px 0px 0px; padding-right: 3px; padding-top: 0px;"><strong>C</strong></span>arson (<em>Where They Wait</em>) evokes the best of Stephen King in this exceptional coming-of-age tale about a young man confronting the supernatural menace that’s taken root in his hometown. In 1999 Bloomington, Ind., 16-year-old Marshall Miller gets pulled over by a cop on the same day he gets his driver’s license. While he’s waiting for a ticket, he notices a frightened teenage girl in the backseat of the officer’s car. Weeks later, Marshall spots the girl’s face on a missing person poster: her name is Meredith Sullivan, and she disappeared on the same day that Marshall was pulled over. He reports his encounter to law enforcement and discovers that the man who ticketed him was only impersonating a police officer. Determined to help find her, Marshall seeks out Noah Storm, the PI attached to Meredith’s case, who’s so impressed with the boy’s attention to detail that he offers Marshall an informal internship as his assistant. During their search, Marshall experiences strange recurring dreams, frequent snake sightings, and other seemingly unexplainable phenomena. The episodes gradually lead him to believe something ghostly has come to Bloomington, and it may be his job to stop it. Carson masterfully weaves threads about Marshall’s home and school life into the tantalizing central mystery, and populates the narrative’s margins with fully realized characters who help bring the setting to vivid life. This unique and intelligent crowd-pleaser is not to be missed.<span class="Apple-converted-space"> </span><em>Agent: Richard Pine, InkWell Management. (Mar.)</em></p></div></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-41109412294238037732024-01-31T22:38:00.000-05:002024-01-31T22:38:04.241-05:00THE STARS TURNED INSIDE OUT by Nova Jacobs<p><span style="font-family: arial;">B&N reserve until library gets it in.</span></p><h2 style="caret-color: rgb(51, 51, 51); color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">The Stars Turned Inside Out</h2><p style="caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Nova Jacobs.</strong><span class="Apple-converted-space"> </span>Atria, $27.99 (320p) ISBN<span class="Apple-converted-space"> </span><a aria-label="978-1-6680-1854-5, opens in a new window" href="http://www.publishersweekly.com/9781668018545" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-6680-1854-5</a></p><p style="caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Jacobs (<em>The Last Equation of Isaac Severy</em>) follows up her acclaimed debut with an engrossing whodunit revolving around Geneva’s Large Hadron Collider. After arriving for work one morning, CERN engineer Claude Touschard discovers the dead body of precocious young physicist Howard Anderby in one of the LHC’s tunnels. While it appears Anderby has been killed by radiation exposure, there’s no evidence the collider was turned on the night before, nor that anybody was in it. To keep the death from becoming public, CERN hires well-respected PI Sabine Leroux to investigate. As she speaks with Anderby’s colleagues, Sabine turns up copious evidence of professional rivalries and resentments, as well as Anderby’s potential involvement in a "geeky arms race" with the Chinese that may have put a target on his back. Meanwhile, researcher Eve Marsh, who harbored a crush on Anderby, frets about her recently published anonymous article considering whether particle physics can combat catastrophic climate change, which was based on her unauthorized use of the lab’s resources. Jacobs bestows even minor characters with such convincing motives that the plot’s momentum never slows, no matter how complex things get. Golden age mystery fans will love this.<span class="Apple-converted-space"> </span><em>Agent: Lisa Bankoff, Bankoff Collaborative. (Mar.)</em></p><div><em><br /></em></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-57044216311542210052024-01-28T18:56:00.003-05:002024-01-28T18:56:22.899-05:00BECOMING MADAM SECRETARY by Stephanie Dray<p><span style="font-family: arial;">library reserve</span></p><h2 style="caret-color: rgb(51, 51, 51); color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">Becoming Madam Secretary</h2><p style="-webkit-hyphenate-limit-after: 3; -webkit-hyphenate-limit-before: 2; -webkit-hyphenate-limit-lines: 2; caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Stephanie Dray</strong>. Berkley, $29 (528p) ISBN <a href="http://www.publishersweekly.com/9780593437056" style="color: #006adb; font-weight: bold; text-decoration: none;" target="_blank">978-0-593-43705-6</a></p><p style="-webkit-hyphenate-limit-after: 3; -webkit-hyphenate-limit-before: 2; -webkit-hyphenate-limit-lines: 2; caret-color: rgb(51, 51, 51); color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Dray (<em>The Women of Chateau Lafayette</em>) delivers an insightful fictional biography of Frances Perkins (1880–1965), the first woman to serve in the U.S. Cabinet. At the outset, Frances studies childhood malnutrition in 1909 New York City as part of her master’s thesis in economics and sociology. Determined to stop children from working in factories and to advocate for the rights of all workers, she takes a job as a lobbyist for the Consumers’ League of New York City. The next year, she meets attorney Franklin Delano Roosevelt at a tea dance, and the two clash over their differing views on social justice initiatives (he’s circumspect, she’s strident). Frances also meets Paul Wilson, an economist and heir to the Marshall Fields fortune, whom she goes on to marry. Dray pulls off an exhaustive and stirring chronicle of Frances’s professional achievements as she struggles to raise a family with Paul, who is diagnosed as manic-depressive. As secretary of labor in FDR’s cabinet, Frances toils to gain support from the president and the public for the Social Security Act, which finally passes in 1935, and she draws on the example of the strong-willed Eleanor Roosevelt to persevere while Paul is institutionalized for his mental illness. Women’s historical fiction fans won’t want to miss this. <em>Agent: Kevan Lyon, Marsal Lyon Literary. (Mar.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-58860699959582208812024-01-24T13:42:00.004-05:002024-01-24T13:42:28.523-05:00WHAT HAPPENED TO NINA? by Dervla McTiernan<p><span style="font-family: arial;">Library reserve.</span></p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">What Happened to Nina?</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Dervla McTiernan.</strong> Morrow, $30 (336p) ISBN <a aria-label="978-0-06-304225-4, opens in a new window" href="http://www.publishersweekly.com/9780063042254" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-0-06-304225-4</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">The gripping latest from Australian crime writer McTiernan (<em>The Murder Rule</em>) examines a murder, its aftermath, and the impact of social media on the families involved. Twenty-year-old Nina Fraser sets out to go rock climbing with her wealthy boyfriend, Simon Jordan, near their New England homes one morning. That night, Simon returns to his family, but Nina does not. Nina’s parents suspect Simon is involved in her disappearance, but he maintains his innocence, insisting that Nina was alive when he left her behind at his parents’ house after a heated argument. The police find his vague explanation of the events suspicious, and he becomes a person of interest in the case. The Jordans then hire a respected publicity firm, which sets about painting Simon and Nina’s romance as fairy tale perfect while planting spurious information about Nina’s family online. Soon, journalists and true crime obsessives delve into the case, obscuring the truth in favor of sensational conspiracy theories that nearly tear Nina’s family apart and eventually lead to more violence. McTiernan makes the details of Nina’s disappearance clear early on, shifting the focus from whodunit to what happens in the court of public opinion. What emerges is a smart and unpredictable portrait of how the boundaries between tragedy and entertainment get blurred. It’s a disturbing treat for thriller fans. <em>Agent: Shane Salerno, Story Factory. (Mar.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-47910587114327783252024-01-24T13:35:00.001-05:002024-01-24T13:35:10.853-05:00IT LASTS FOREVER AND THEN IT'S OVER by Anne de Marcken<p><span style="font-family: arial;">B&N reserve, for now, until library gets it in.</span></p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">It Lasts Forever and Then It’s Over</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Anne de Marcken.</strong> New Directions, $15.95 trade paper (128p) ISBN <a href="http://www.publishersweekly.com/9780811238212" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-0-8112-3821-2</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">De Marcken debuts with an unsettling narrative of grief and zombies. The undead narrator, who has forgotten her real name, sets out from the hotel where she has been sheltering with other zombies, who are united in their hunger and divided over new religions cropping up among them, and heads west—"West because west is the direction of leaving behind. West because west is the last resort. I go west because west is where I remember you"—in a quest to remember who she once was, and to capture a sense of the person who loved her and made her life worth living. Along the way she says goodbye to her zombie friends, loses limbs, and acquires a dead crow as a companion. De Marcken never loses sight of the grand themes of life, death, and decay, as the narrator riffs cleverly on the nature of her condition ("Zombies used to be drug addicts, television watchers, videogame players. Now zombies are zombies. Consumers are consumers"). It amounts to a keen and weighty depiction of what does and doesn’t make someone human. <em>(Mar.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-52859650772171740612024-01-24T13:30:00.003-05:002024-01-24T13:30:37.235-05:00HELP WANTED by Adelle Waldman (library reserve)<h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">Help Wanted</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Adelle Waldman.</strong> Norton, $28.99 (278p) ISBN <a href="http://www.publishersweekly.com/9781324020448" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-324-02044-8</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Waldman’s perceptive sophomore novel (after <em>The Love Affairs of Nathaniel P.</em>) centers on the employees of a big-box store in Upstate New York. Nine of them are a part of the Movement team, arriving at four a.m. to unload trucks, unpack boxes, and stock the shelves before the store opens. Team manager Meredith, who’s under pressure from corporate headquarters to maintain the department’s budget, alienates the others by refusing requests for additional work hours or raises, contributing to their struggles to make ends meet. When the store manager announces he’s transferring to another location, and that corporate will be coming to interview employees to decide which team manager will take his role, Movement member Val sees an opportunity to get rid of Meredith by pushing to promote her. Val and the other team members put the plan in action, and several of them begin fantasizing about a promotion. Though Waldman touches only briefly on the employees’ personal lives, making it difficult to keep all the characters straight, the narrative builds to a satisfying and surprising conclusion. It’s a bracing and worthwhile glimpse of the high stakes faced by low-wage workers. <em>(Mar.)</em></p><div><em><br /></em></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-43925124026909769372024-01-21T08:53:00.006-05:002024-01-21T08:53:59.454-05:00ORBITAL by Samantha Harvey<span style="font-family: arial;">library reserve</span><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><a href="https://www.nytimes.com/2024/01/11/books/review/new-books-recommendations.html" target="_blank">https://www.nytimes.com/2024/01/11/books/review/new-books-recommendations.html</a></span></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-61367032676858449342024-01-10T18:47:00.006-05:002024-01-10T18:47:43.062-05:00BEAUTYLAND by Marie-Helene Bertino<p><span style="font-family: arial;"><a href="https://www.nytimes.com/2024/01/07/books/review/beautyland-marie-helene-bertino.html" target="_blank">https://www.nytimes.com/2024/01/07/books/review/beautyland-marie-helene-bertino.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-35801215439563513072024-01-01T22:40:00.000-05:002024-01-01T22:40:53.727-05:00possbile PW reserves<p><br /></p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">The Other Valley</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Scott Alexander Howard.</strong> Atria, $27.99 (304p) ISBN <a aria-label="978-1-66801-547-6, opens in a new window" href="http://www.publishersweekly.com/9781668015476" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-66801-547-6</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Howard debuts with a moving tale of time travel and teen friendship. Odile, 16, grows up in an unnamed valley town that serves as a kind of administrative buffer zone between the past and the future. Bordering to the west is an identical town that is 20 years behind her own, and to the east, Odile’s same town 20 years ahead. Residents of each iteration are only allowed to visit another timespace if they get approval from a governing body called the Conseil, which only grants permission to those grieving a loved one’s untimely death, so they can view the person from a distance while the person is still alive. Odile’s school offers an apprentice program for various trades, and she is vying for a coveted spot in the Conseil. One day on the schoolyard, she sees three masked people in the distance, looking at her classmate Edme, and realizes they are time travelers, which means that Edme will prematurely die. An unexpected friendship forms between the two, but when the Conseil learns of Odile’s discovery, they urge her not to intervene in Edme’s fate. She can’t help herself, however, and her actions lead to startling and heartrending results. This will leave readers with plenty to chew on. <em>Agent: Roz Foster, Frances Goldin Literary. (Feb.)</em></p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">Almost Surely Dead</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Amina Akhtar</strong>. Mindy’s Book Studio, $28.99 (304p) ISBN <a aria-label="978-1-66250-757-1, opens in a new window" href="http://www.publishersweekly.com/9781662507571" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-66250-757-1</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">In this inventive blend of fantasy and psychological thriller from Akhtar (<em>Kismet</em>), New York City pharmacist Dunia Ahmed is severely shaken when a stranger tries to push her in front of an oncoming subway train. After bystanders save Dunia by wrestling her assailant to the ground, the man breaks free; mouths the words, "I’m sorry," to Dunia; and throws himself in front of a different train. Several more attempts on Dunia’s life follow, and she becomes convinced that someone is targeting her. Flashbacks to Dunia’s childhood reveal details of the Pakistani folklore she grew up with, and before long, she begins to suspect that her pursuer may be paranormal. Eventually, Dunia goes missing and is presumed dead. Akhtar builds to her protagonist’s disappearance in chapters that alternate Dunia’s perspective with transcripts of a true crime podcast that has spawned an obsessive "Find Dunia" movement. Mystery readers may quarrel with a few minor plot holes, but for the most part, Akhtar delivers a surprising and suspenseful ride. This is a winner. <em>Agent: Chris Bucci, Aevitas Creative Management. (Feb.)</em></p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">Your Shadow Half Remains</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Sunny Moraine</strong>. Nightfire, $16.99 trade paper (176p) ISBN <a aria-label="978-1-250-89220-1, opens in a new window" href="http://www.publishersweekly.com/9781250892201" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-250-89220-1</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Moraine (<em>Casting the Bones</em>) sets this sharp, tension-filled psychological thriller in a world stricken by a strange and violent pandemic that is transmitted through eye contact and triggers the urge to kill both others and, eventually, oneself. Riley has been isolated in a house in the woods by a lake for so long that time has become fluid and her connection to reality is fading. At the start of the book, she encounters the first human she’s seen in who-knows-how-long: Ellis, who seems kind and well-intentioned, but may be hiding something sinister. The rules of the eye-contact-killing disease are at times hard to grasp, with the characters just as unclear on its mechanics as the reader (the failure of technology has caused a near-total disconnection between Riley, Ellis, and whatever’s left of the world, leaving them unaware of any discoveries or mutations that may have occurred). As the bite-size novel progresses, it becomes clear that Riley, too, cannot be trusted: her version of events hides the macabre truth of her past. The result is a freaky and masterfully constructed tale, whose strength most often comes from what Moraine leaves to the imagination. Read this one with all the lights on. <em>(Feb.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-16936691451300482632023-12-31T10:50:00.006-05:002023-12-31T10:52:37.233-05:00B&N wishlist<div><span style="font-family: arial;"><div><i>Material World: The Six Raw Materials That Shape Modern Civilization</i> by Ed Conway</div></span></div><div><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><a href="https://www.nytimes.com/2023/12/28/books/review/new-books-recommendations.html" target="_blank">https://www.nytimes.com/2023/12/28/books/review/new-books-recommendations.html</a></span></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-20212206340390145062023-12-21T23:02:00.002-05:002023-12-21T23:02:42.922-05:00Possible library reserve (from Publisher's Weekly, 12/11/23)<p> </p><h2 style="background-color: white; color: #333333; font-family: "Open Sans", sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 1.2em; margin: 1.5em 0px 0.5em;">★ Twice Lived</h2><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;"><strong>Joma West.</strong> Tordotcom, $26.99 (256p) ISBN <a aria-label="978-1-250-81032-8, opens in a new window" href="http://www.publishersweekly.com/9781250810328" style="color: #006adb; font-weight: bold; text-decoration-line: none;" target="_blank">978-1-250-81032-8</a></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">West (<em>Face</em>) uses parallel worlds to explore the pain of coming of age in this deeply emotional fantasy. Lily and Canna alternately share one body that randomly shifts between two alternate Earths. Shifters normally settle into one or the other in their toddler years but Lily/Canna is 16 and still shifting. As each identity begins to feel uncomfortable in her own skin and the duo’s memories become increasingly blurred, they learn that if they don’t settle soon, they risk psychological fracturing. Racing against time, Lily and Canna each fight to stay in their own world yet prepare their separate families for the worst-case scenario. West does an admirable job portraying the tug-of-war between individuals as they grapple with issues of family, identity, and friendship. Readers young and old will appreciate the notes of tenderness amid the conflict and will find it difficult to choose a side. Replete with a shocking yet satisfying ending that showcases West’s cleverness, this is an impressive feat. <em>(Feb.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-67877496351705346592023-12-10T19:51:00.003-05:002023-12-10T19:51:40.255-05:00QUOZ: A FINANCIAL THRILLER by Mel Mattison<p><span style="font-family: arial;">From <i>Publisher's Weekly</i>, 11/27/23:</span></p><p style="background-color: white; color: #333333; font-family: Arial, sans-serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 18px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; hyphens: manual; line-height: 1.5em; margin-block: 0px; margin: 0px 0px 1.2em; overflow-wrap: break-word; padding-top: 0px;">Fintech executive Mattison puts his cryptocurrency expertise to good use in his chilling debut, which imagines a near-future threat to the global economy. In 2027, financial experts have developed "a groundbreaking quantum AI platform": the International, Central, and Automated Regulation of the Universe of Securities, or ICARUS. During its brief existence, ICARUS has delivered on its promise to create a more stable global economy and made "bank runs, bailouts, and volatile share prices" things of the past. But just before the platform’s latest upgrade goes live, Kota Nakazawa, one of ICARUS’s chief designers, detects some disturbing anomalies in market trading patterns. He seeks advice from his disgraced former colleague, Rory O’Connor, who’s lived in Caribbean exile since he suffered a breakdown a year earlier. As the two dig into the anomalies, they unearth a vast financial conspiracy orchestrated by America’s foreign enemies that’s designed to collapse global markets. Mattison heightens suspense by cluing in readers to certain details of the book’s central conspiracy before his characters unearth them, and his knowledge of international finance lends weight and authenticity. Joseph Finder fans should check this out. <em>(Jan.)</em></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-49003435896302253902023-11-13T12:55:00.004-05:002023-11-13T12:55:24.430-05:00THE QUIET TENANT by Clémence Michallon<p><span style="font-family: arial;">Read about this novel months ago. For some reason, it just popped in my head this morning, even though the reviews (I think one was in <i>The New York Times</i>) didn't sell it well. Memory is so weird.</span></p><p><span style="font-family: arial;"><a href="https://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/92508-pw-picks-books-of-the-week-june-12-2023.html" target="_blank">https://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/92508-pw-picks-books-of-the-week-june-12-2023.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-2489739552219594292023-11-13T09:31:00.010-05:002023-11-13T09:31:57.467-05:00THE HELSINKI AFFAIR by Anna Pitoniak<p><span style="font-family: arial;">library reserve: <a href="https://www.washingtonpost.com/books/2023/11/11/helsinki-affair-thriller-review/" target="_blank">https://www.washingtonpost.com/books/2023/11/11/helsinki-affair-thriller-review/</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-5605145949875759512023-11-12T08:42:00.000-05:002023-11-12T08:42:00.019-05:00AND THEN SHE FELL by Alicia Elliott<p><span style="font-family: arial;">library reserve: <a href="https://www.nytimes.com/2023/11/10/books/review/im-a-fan-sheena-patel-candelaria-melissa-lozada-oliva-and-then-she-fell-alicia-elliott.html" target="_blank">https://www.nytimes.com/2023/11/10/books/review/im-a-fan-sheena-patel-candelaria-melissa-lozada-oliva-and-then-she-fell-alicia-elliott.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-83699151223117443162023-11-04T08:15:00.002-04:002023-11-04T08:15:30.663-04:00A MORBID TASTE OF BONES by Ellis Peters<p> <span style="font-family: arial;">Reserved at library because it's in Molly Young's <i>Read Like the Wind</i> newsletter:</span></p><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><h2 style="font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 25px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; font-weight: 400; line-height: 32.5px; margin: 0px 0px 10px;">“A Morbid Taste for Bones,”<span style="border: 0px; color: inherit; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"> </span>by Ellis Peters</h2></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><p style="color: rgb(51, 51, 51) !important; font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 17px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 25px; margin: 0px 0px 15px;"><span style="border: 0px; color: inherit; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: italic; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Fiction, 1977</span></p></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><table cellpadding="0" cellspacing="0" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border-collapse: collapse; border-spacing: 0px; color: rgb(51, 51, 51) !important; font-family: arial, sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; line-height: inherit; padding: 0px; width: 100%;"><tbody><tr><td style="border-collapse: collapse; line-height: 1; padding: 0px; width: 600px;" width="100%"><img class="x_css-1rg59gv" data-imagetype="External" src="https://static01.nyt.com/images/2023/11/01/books/review/RLTW-EllisPeters/RLTW-EllisPeters-jumbo.jpg" style="border: 0px; color: inherit; display: block; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: inherit; height: auto; line-height: 15px; margin: 0px; outline: 0px; padding: 10px 0px 25px; vertical-align: baseline; width: 600px;" width="600" /></td></tr></tbody></table></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><p style="color: rgb(51, 51, 51) !important; font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 17px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 25px; margin: 0px 0px 15px;">The place: Shrewsbury Abbey. The time: late spring of the year 1137. The person: Brother Cadfael, a monk with a torrid past, a penchant for herb-gardening and a knack for solving crimes.</p></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><p style="color: rgb(51, 51, 51) !important; font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 17px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 25px; margin: 0px 0px 15px;">This is the first book in a once wildly popular series that follows the adventures of a shrewd yet pious amateur sleuth. As plotlines go, the one driving this novel is almost comically boring in summary, so I’ll cover the basics quickly; you’ll just have to trust me on its spine-tingling potential:</p></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><p style="color: rgb(51, 51, 51) !important; font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 17px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 25px; margin: 0px 0px 15px;">A chief administrative monk becomes upset that his abbey doesn’t have any cool relics or miracle-working saints that he can leverage to draw visitors. (The abbey lacks an “It factor,” you could say.) Soon the greedy monk discovers the existence of a neglected martyr in a faraway town and — thinking, “I can work with this” — sends a crew of flunkies to fetch the martyr’s body and claim it for their own. Brother Cadfael, having a bad feeling about the whole business, gets himself conscripted for the journey and thus finds himself on the scene when a dead body shows up! His holy mission, which he indeed chooses to accept, is to puzzle out whodunnit.</p></td></tr></tbody></table></div><div style="background-color: white; border: 0px; color: #242424; font-family: "Segoe UI", "Segoe UI Web (West European)", "Segoe UI", -apple-system, "system-ui", Roboto, "Helvetica Neue", sans-serif; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: 15px; font-stretch: inherit; font-variant-alternates: inherit; font-variant-east-asian: inherit; font-variant-numeric: inherit; font-variant-position: inherit; font-variation-settings: inherit; line-height: inherit; margin: 0px auto; max-width: 600px; padding: 0px; vertical-align: baseline; width: 600px;"><table cellpadding="0" style="border-collapse: collapse; font: inherit; width: 100%;"><tbody><tr><td align="left" style="border-collapse: collapse;"><p style="color: rgb(51, 51, 51) !important; font-family: georgia, serif; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size: 17px; font-stretch: normal; font-variant-alternates: normal; font-variant-east-asian: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: 25px; margin: 0px 0px 15px;"><span style="border: 0px; color: inherit; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: 700; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Read if you like: </span>Porridge, cozy (or “cosy”) mysteries, <a class="x_css-5nb5nb" data-auth="NotApplicable" data-linkindex="15" href="https://nl.nytimes.com/f/a/Xnun0NfY56J6I_USxkNdfA~~/AAAAAQA~/RgRnKLedP0TaaHR0cHM6Ly9paWlmLmxpYi5oYXJ2YXJkLmVkdS9tYW5pZmVzdHMvdmlldy9kcnM6NDE4NDY4OSQxaT9jYW1wYWlnbl9pZD0yNDAmZW1jPWVkaXRfcmx3XzIwMjMxMTA0Jmluc3RhbmNlX2lkPTEwNjc2OCZubD1yZWFkLWxpa2UtdGhlLXdpbmQmcmVnaV9pZD05NDQzNTA2MSZzZWdtZW50X2lkPTE0OTE3NSZ0ZT0xJnVzZXJfaWQ9ODFjZTNhOGQ0NmZhZDYwMTQ2ZTY3M2MxOWYyOGZhZThXA255dEIKZUGdMkZl-V_XqVISam9Ac2NvbGV4cHJlc3MuY29tWAQAAAAD" rel="noopener noreferrer" style="border: 0px; color: rgb(40, 110, 208) !important; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">herbaria</a>, the British television series “<a class="x_css-5nb5nb" data-auth="NotApplicable" data-linkindex="16" href="https://nl.nytimes.com/f/a/6_A4woJI7fgnRuWrx2QnKQ~~/AAAAAQA~/RgRnKLedP0TFaHR0cHM6Ly93d3cuaW1kYi5jb20vdGl0bGUvdHQwMDk4ODk4Lz9jYW1wYWlnbl9pZD0yNDAmZW1jPWVkaXRfcmx3XzIwMjMxMTA0Jmluc3RhbmNlX2lkPTEwNjc2OCZubD1yZWFkLWxpa2UtdGhlLXdpbmQmcmVnaV9pZD05NDQzNTA2MSZzZWdtZW50X2lkPTE0OTE3NSZ0ZT0xJnVzZXJfaWQ9ODFjZTNhOGQ0NmZhZDYwMTQ2ZTY3M2MxOWYyOGZhZThXA255dEIKZUGdMkZl-V_XqVISam9Ac2NvbGV4cHJlc3MuY29tWAQAAAAD" rel="noopener noreferrer" style="border: 0px; color: rgb(40, 110, 208) !important; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">Prime Suspect</a>” starring Helen Mirren, wholesome fun<br aria-hidden="true" /><span style="border: 0px; color: inherit; font-family: inherit; font-feature-settings: inherit; font-kerning: inherit; font-optical-sizing: inherit; font-size: inherit; font-stretch: inherit; font-style: inherit; font-variant: inherit; font-variation-settings: inherit; font-weight: 700; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;">Available from:</span> Also currently <a class="x_css-5nb5nb" data-auth="NotApplicable" data-linkindex="17" href="https://nl.nytimes.com/f/a/mAFnGXg80WWlzeWARdNxFw~~/AAAAAQA~/RgRnKLedP0TSaHR0cHM6Ly9hcmNoaXZlLm9yZy9kZXRhaWxzL21vcmJpZHRhc3RlZm9yYm8wMHBldGU_Y2FtcGFpZ25faWQ9MjQwJmVtYz1lZGl0X3Jsd18yMDIzMTEwNCZpbnN0YW5jZV9pZD0xMDY3Njgmbmw9cmVhZC1saWtlLXRoZS13aW5kJnJlZ2lfaWQ9OTQ0MzUwNjEmc2VnbWVudF9pZD0xNDkxNzUmdGU9MSZ1c2VyX2lkPTgxY2UzYThkNDZmYWQ2MDE0NmU2NzNjMTlmMjhmYWU4VwNueXRCCmVBnTJGZflf16lSEmpvQHNjb2xleHByZXNzLmNvbVgEAAAAAw~~" rel="noopener noreferrer" style="border: 0px; color: rgb(40, 110, 208) !important; font: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" target="_blank">free to borrow</a> from the Internet Archive — and check bargain bins and libraries near you. (Or eBay.)</p></td></tr></tbody></table></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-35835234675149767142023-10-21T12:55:00.001-04:002023-10-21T12:55:25.173-04:00SHAKESPEARE WAS A WOMAN AND OTHER HERESIES by Elizabeth Winkler<p><span style="font-family: arial;">For centuries, Christianity had exerted a pacifying influence on the population, encouraging values of meekness and self-sacrifice, and unifying all classes, from the richest congregant to the pious peasant, under a single ideology.<br /></span></p><div style="text-align: right;"><span style="font-family: arial;">p. 147</span></div>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-57626994615505464272023-10-15T08:53:00.008-04:002023-10-15T08:53:56.181-04:00SAHA by Cho Nam-joo, translated by Jamie Chang<p><span style="font-family: arial;">B&N wish list.</span></p><p><span style="font-family: arial;">Town, a city-state that is “not quite company or country,” enforces a multi-tiered class system. Laboring under it are the citizenship-less, referred to by the name of the decrepit apartment complex where they live. The Saha Estates are where authorities turn when a doctor is murdered, and where Jin-kyung decides to fight back, for her missing brother, her neighbors and herself.</span></p><p><span style="font-family: arial;"><a href="https://www.nytimes.com/interactive/2023/10/13/books/new-paperbacks-nam-joo.html" target="_blank">https://www.nytimes.com/interactive/2023/10/13/books/new-paperbacks-nam-joo.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-67462165617337536772023-10-08T09:25:00.002-04:002023-11-05T16:59:03.530-05:00LAND OF MILK AND HONEY by C Pam Zhang<p><span style="font-family: arial;"><<</span><span face="nyt-imperial, georgia, "times new roman", times, serif" style="background-color: white; color: #363636; font-size: 20px;">There’s an ornateness to this prose that is missing from much contemporary fiction, which is arguably obsessed with holding the attention of a “typical” reader, one often imagined to have a short attention span and an interest only in the progression of plot.</span><span style="font-family: arial;">>></span></p><p><span style="font-family: arial;"><a href="https://www.nytimes.com/2023/09/21/books/review/c-pam-zhang-land-of-milk-and-honey.html" target="_blank">https://www.nytimes.com/2023/09/21/books/review/c-pam-zhang-land-of-milk-and-honey.html</a></span></p><p><span style="font-family: arial;"><a href="https://newrepublic.com/article/176022/chef-end-world-c-pam-zhang-land-milk-honey" target="_blank">https://newrepublic.com/article/176022/chef-end-world-c-pam-zhang-land-milk-honey</a></span></p><p><span style="font-family: arial;"><a href="https://www.theguardian.com/books/2023/nov/05/land-of-milk-and-honey-by-c-pam-zhang-review-an-intriguing-tale-of-post-apocalyptic-cuisine" target="_blank">https://www.theguardian.com/books/2023/nov/05/land-of-milk-and-honey-by-c-pam-zhang-review-an-intriguing-tale-of-post-apocalyptic-cuisine</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0tag:blogger.com,1999:blog-8168255760394752197.post-24249263360236910102023-09-25T08:13:00.006-04:002023-09-25T08:13:47.360-04:00PEOPLE COLLIDE by Isle McElroy<p><span style="font-family: arial;">B&N wishlist because not available yet at library.</span></p><p><span style="font-family: arial;"><a href="https://www.nytimes.com/2023/09/24/books/people-collide-isle-mcelroy.html" target="_blank">https://www.nytimes.com/2023/09/24/books/people-collide-isle-mcelroy.html</a></span></p>Johnny Ostentatioushttp://www.blogger.com/profile/12646195564349821738noreply@blogger.com0